Tuesday, September 16, 2014

Resurrecting old works

Recently I've been spending a little time going through my file directory of writing projects looking for works that for one reason or another were abandoned without ever being completed. The reason for this is looking for additional material to publish without the strain of creating something from scratch.

These stories aren't bad. In some cases it is like seeing an old friend, one that I really liked but that I fell out of touch with. Mostly this was because the story and I ended up not seeing eye-to-eye on how the it was going to proceed. 

A big reason for abandonment was that I was mostly writing as Cricket Starr at the time... that's my erotic romance pen name and a Cricket book required a great deal of sexual situations. Not all stories lend themselves to that level of erotism so unless the story fit into one of the selling series I had such as the Futuristic Gaian stories or the Paranormal Hollywood After Dark, I didn't have a good place to market it.

One such story is "Dancing the Knight Away." Originally this was supposed to be an erotic novella about a young romance author at her first romance convention and her sexual adventures with a hot cover model. But a funny thing happened... the heroine turned out to be a really sweet lady and the hero a nice older guy who makes a bet with his roommate that he can get her to dance with him before the end of the convention. It was fun and a little sexy, but there wasn't nearly enough reason for these two to be warming a bed together when he couldn't even get her out on the dance floor. 

So a Cricket book it wasn't going to be and I didn't have a good market for it any place else. Rather than spend the time working on a story that I couldn't sell to one of my current houses and was too short to be sent to a publishing house I wasn't associated with. It was contemporary, there weren't any paranormal elements, and while I loved the characters, they just weren't going to cooperate with me as far as the sex was concerned.

So I abandoned my knight in costume armor and lady author to work on more profitable projects. 

But thanks to Indie publishing I no longer need to be concerned about simply adding this nice little novella to my list of publications. I can go back, finish off the rough edges of the manuscript, and put it out as one of my contemporary romances. I've already got the rights back to a story I had with Ellora's Cave from their Blush line that was mis-authored as Cricket Starr. I say mis-authored because it was originally a Janet Miller book at Cerridwen and I never changed its sex level to that of the Cricket level of erotism when Ellora's Cave folded the Cerridwen books into their erotic line. So there has been much confusion about that book over the years.

My intent is to launch Christmas With Sarah next month once final proof-reading is done, and have Dancing the Knight Away ready to go a week or so later. Then if I can find a third book to release... well you get the idea. I want to see if I can't build some momentum for these contemporary stories that I really like... even if there isn't a fang or spaceship to be found in them.

Cheers,
Janet Miller

Sunday, September 14, 2014

A CASE AGAINST LONG GOODBYE'S by Rolynn Anderson


I’m not comfortable with long goodbye’s, tending to move ‘adieu’ events along at a good clip.  For instance: We’ve spent the four summer months on a boat for the last 20 years.  When my husband asked, “Should we think about selling Intrepid?” my answer was, “Okay.  Why don’t we plan to find a new owner for her by the end of the summer?”

Guess what?  We started advertising the sale (see: http://intrepid-for-sale.blogspot.com/ ) in July while we were in Alaska.  By September 10, Intrepid had a new owner.  We priced the boat fairly (without broker or title company costs) and we sold immediately.  Even better, we got to work with the new owners closely, offering them a notebook of instructions for managing our boat’s unique systems, and we even got a chance to take the new owners out on the boat two times.  

Yesterday, when I said goodbye to Intrepid, carrying all our good memories of years of boating in my brain and my heart, I was comfortable with the length of my ‘goodbye.’

Two months of constantly cleaning the boat for pictures and inspections; two months of tweaking the systems that needed fixing; two months of worrying that a system we HADN'T fixed would fail; two months of saying adios to all the marinas where we’ve made friends; two months of throwing kisses to our favorite anchorages.  Two months is enough.  I shudder to think that most boats take a year or more to sell.  Not for me.

My husband is fine with the speed of our sale; I was a little worried I’d taken this particular bull by the horns, but not to worry.  He was highly involved in our marketing process and today, he is as happy as I am.

So my question for you is: How are you with goodbye’s and do you worry about them being overly lengthy/painful?  Could be I have a strange approach to goodbye’s because I’m an Army brat, forced to leave dozens of countries/cities after two/three years.  Heck, maybe you don’t even try to manipulate your goodbye’s.  I’d like to know.

As you’re thinking, here’s a look at my website and my books.  Happy sales to you!  Rolynn

Monday, August 25, 2014

How times change

There was a time when RWA (Romance Writers of America) was an inclusive, educational place to be for people who aspired to be published.

Not so much anymore. The IRS is leaning on them (and other organizations, presumably), to make sure the voting members are only those who are "career-focused romance writers" (define career, to start with, I dare you). This is more in line with what MWA (Mystery Writers) and what the Science Fiction writers group does (sorry, don't know the acronym for that one).

According to MWA I'm not published, although I have 25 books out and nice royalties, thank you. That's a different beef I have, but related to the one I have with RWA. The unpublished masses are what keep the chapters afloat for RWA. I see a lot fewer chapters if these kinds of rules go into effect.

Life is change, of course, and it's amazing to me how much has changed in the 10 years since I set out to become a published author. I'll be curious to see what the landscape looks like 10 years from now.


Tuesday, August 19, 2014

First Draft Checklist


Larry Brooks posted recently a check list of essential story elements that an author should have defined after completing his or her first draft.

I revised them to check my romance WIP, now that words are flowing more easily again, and got a boost of confidence. I checked off every point.

1. What the protagonist wants, what she needs, and why for both.
2. What strong external antagonism or antagonist blocks the protagonist's path.
3. If all sub-plot threads are resolved by the end.
4. The first plot twist, aka the turning point that sets the protagonist on his or her story quest. (Story quest is defined by the story's core dramatic question.)
5. A strong dramatic story arc.
6. The main character's story arc that shows emotional growth and ultimate change.
7. A strong midpoint that energizes the second half of the story.  No sagging middle.

A story needs these to be elements. You might not get all down pat in the first draft, but IMO, no one can finish a good final draft without them.

Monday, August 18, 2014

How to write a good love scene

A couple years ago, I attended a fantastic presentation by Angela Knights on how to write a good sex scene.
Here is more or less what Angela said—I hope I got it right, Angela.
 Love scenes illustrate the development of romance. They reveal the way people feel about each other.
A love scene reveals characters, enhances the conflict, and develops the romance.
Love scene and the characters:
 How does it reveal the hero? The hero must be experienced. Don’t ever write about a virgin hero! Mention his romantic and sexual history before the first sex scene.
Show how his attitude toward the heroine change in the course of your story.
Show how the heroine helps him develop his strengths and overcome his weaknesses.
The love scene should reveal how he makes love to the heroine, how he finds her different from past lovers, and how his way change toward her by the end of the story.
Before a love scene, we should also know the heroine’s romantic history: how does she feel about sex? In historical romances, a love scene is a big conflict for the heroine who is usually not experienced. Give the heroine good reasons to trust the hero enough to sleep with him.

Picking up a hero in a bar and making love with him is dangerous and borderline erotica.
Is she sexually confident?
How does making love to him change her?
Does she gain confidence in them as a couple?
Let the heroine take the lead in some scenes.

Love scenes make them both grow. A love scene is always a turning point. You develop the plot with a love scene. You also develop the conflict with a sex scene. To intensify the conflict through a love scene you can make him dominant if she doesn’t like an alpha hero. And then make her reaction to him strong and dramatic. Let one character turn the tables on the other—heroine dominates the hero.

 Logistic of a love scene: 
A hero can’t go directly to kissing before a few steps of touching that establish trust.
You have to create the environment of trust for her to accept his kiss.
Love scenes should complicate the situation: A love scene is a critical turning point. What problems does it cause? How does it change the way the characters view each other now?
To know if your love scenes make sense read them back to back by themselves and see if the romance grow and develop through these love scenes.

Love scene pacing:
 Where does the love scene fall in the romance? What kind of emotion do you want to communicate? The love scene can intensify the mood: We are at our most vulnerable when making love. This is a perfect time for drama. Taking off clothes is a big act of trust.
Or it can lighten the mood: for example it will keep a romantic suspense or a thriller from getting too dark.
Watch your timing: Characters who are supposed to be hunting the bad guys can’t waste their time making love. Don’t follow a gruesome murder with a love scene.

Love scene construction:
Don’t rush. You need at least five pages for a satisfying love scene, for emotional impact. Don’t cheat the reader
Set the scene with a sensual environment: sharp vivid emotions with five senses.
A long pre-scene is acceptable but stay clear of purple prose.
Who makes the first move? Stay within characters.
More interesting when there is more than one objective to the love scene.

Sexual roles of hero and heroine: The heroine sets the sexual pace. She decides when characters make love because she’s the one who has the most to lose.

Concentrate on sensual details. Focus on sensations that characters feel. Use lots of sensual details, smell, touch, taste. Reader doesn’t want to guess.

It’s always better to be in her point of view. Don’t shift POV in the middle of a sex scene.
Use a lot of emotion to give love scenes their power.
Use dialog during a love scene.

Pillow talk: remember blood doesn’t go to a man’s brain when it rushes elsewhere. So keep dialog lines short and sexy. Moans are not considered dialog!!! Use sense of humor but keep tenderness to the last chapter otherwise your story is over.
Keep sex language appropriate to time and characters.
Keep heat levels corresponding to your readers’ comfort. Trade paperback and ebooks allow sexier content than mass market in terms of language and erotic details.

Look at other books in the same genre to decide what you can get away with.
Happy Ever After: Readers want to know what it’s like to find HEA with a sexy hero. Capture that experience with passion and imagination.

Remember that your first paragraph sells your book and your last paragraph sells your next book.
{more details in A Guide To Write Erotic Romance by Angela Knights}
 The four books in my box set, Foreign Lovers, follow Angela Knights’s advice. They sizzle with sensual tension and offer you memorable love scene.--99 cents.

Saturday, August 16, 2014

A day spent roleplaying

One of the reasons this post is late is that I spent most of the day at a friend's house playing a role-playing game. This was something I used to do more often but like many things, stopped when I got busy with other aspects of my life. It was nice, just spending time with people, creating a character that lived out of a few traits the game master had given, drinking diet soda and eating candy between rolls of the dice.

It was something different, taking a break from the writing. And it was a lot of fun.

Which brings me to why this is also a post about writing. Lately building characters in my head to put onto a page hasn't been the kind of fun that I had today. It isn't just that I could come up with something totally wacky, like my super heroine Maxi Rubber Maid, whose superpower consisted of shooting liquid latex at objects. That might not sound like much until you realize you can totally cover that sand floor with a rubber sheet and keep the sand worms from eating your companions, or when the super villain gives you too much static you can gag him with a rubber ball in his mouth.

There are a couple reasons it was fun making up my heroine. First of all, I didn't have to create her to appeal to a wide audience. She only had to make sense to the six people at the table, all of whom were friends. Her entire purpose was to amuse me and them. This is unlike the characters I write in my books who are subject to criticism by a wide range of people, who are frequently pretty nasty in their comments. This is much more like what I used to enjoy when working on my books, where the only person I had to please was myself. Back then coming up with a character was fun.

I've kind of stopped having much fun when I'm writing a character. That might be why it's gotten so hard.

Second, this wasn't a character that I'd ever tried to work with in the past and the people I'm dealing with today already exist in previous books. I already know them and am actually kind of bored with them already.

Starting tomorrow I'm going to work again on my WIP and see if I can't find a way to make those characters as much fun to spend time with as Maxi Rubber Maid was today. Maybe I'll give each of them a superpower and then somehow translate that into something that works in the book.

Cheers,
Janet

Thursday, August 14, 2014

HOW WOULD YOU HANDLE ROUGH SEAS? By Rolynn Anderson


We’re sitting on our boat in Ketchikan, Alaska, waiting for the waters to calm down so we can ‘take’ Dixon Entrance, a wide spot in the ocean that can cause big trouble for our 45 foot boat, INTREPID.  Now, you should know that our Kady-Krogen trawler is built to handle rough seas, even without stabilizers.  It’s a trawler, built to circumnavigate the globe, and she’s done exactly that with former owners.  But my husband and I are cautious about taking open seas.  When we have to cross them, we watch the weather predictions carefully, preferring ‘light’ conditions, and at the most, 10-15 knot winds, looking for winds flowing with the tide.  We’ve waited for a whole week in a port for the seas to subside.  Luckily, we don’t have a schedule to keep so we don’t need to grit our teeth and go when the weather report is less than ideal.  What’s more, our boat is slow, so some of the large expanses of water take two days to cross.  Not easy to cobble two calm days in a row, let me tell you.



Yes, I can ride the gigantic waves coming at me as a writer and marketer of my novels, but let me have flat waters when I’m in my boat.  I was a high school principal, for heaven’s sake, opening a brand new high school.  Lots of rough seas in that job!

What’s the difference?  Why can I take on huge challenges in life, yet look askance at six to eight foot waves?  I think it’s the feeling of helplessness one gets in big seas.  The waves keep coming and coming and despite what you might think, they AREN’T even.  A six foot sea may turn into a ten foot sea in certain areas, where seas converge of where it’s shallow.  Sometimes, for no reason at all, the waves grow ‘short’, meaning less space between waves.  In such conditions, the boat actually bangs up and down.  And the wind can change so that you might be cruising along with the wind kindly traveling with the current, and suddenly you’ve got white caps crashing into your bow because the wind turned against the current.

So it’s the helpless feeling, the inability to plan ahead, and the portent of physical danger make boating tricky.  Believe me, when I was a high school principal, I felt helpless and surprised often, but worry about my physical well-being was rarely on my mind.

Okay it’s time for you to share the places that make you fearful.  I will add to my list: small planes, zip lines and floating raging rivers.  Sigh.  I’m not very brave, am I?  Are you?

http://www.rolynnanderson.com